Then there are some more connections, that were on the old Sync HD, including GPIO, Bi-phase/Tach and AES 3. New to the Pro Tools Sync X is support for AES3id I/O and a 10Mhz clock input, sometimes referred to as an atomic clock. There is still the traditional Pro Tools Loop Sync in and out, needed when you are using multiple interfaces on an HD rig and there is still the normal longitudinal timecode (LTC) I/O on XLRs. When it comes to Word Clock, there is the traditional Word Clock input but new to the Pro Tools Sync X is a built-in Word Clock distribution amp with 6 buffered outputs. If you do want to work using ‘house syncs’ then there is a video reference input and two looped-through outputs, in case you need to feed that out to other equipment in the room. For those in larger faculties, it gives a degree of independence and can mean that you can work with a different reference than the one your normal ‘house syncs’ provides. This has two benefits, for smaller facilities you no longer need a dedicated video reference generator unit. If you already have an external video reference generator, Sync X can receive video reference too, with automatic format detection. Sync X provides an onboard video reference generator with four outputs to distribute signals to other peripherals, cutting complexity and costs. ![]() With the new Pro Tools Sync X, there is no need to rely on video reference from an external device.
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